Firenze Città Aperta - i giorni del social forum
“Lei sta all’orizzonte. Mi avvicino di due passi; lei si allontana 10 passi più in la’. Per quanto io cammini non la raggiungerò mai, quindi a che cosa serve l’utopia? Serve a questo: a camminare” (E. Galeano)
autore Federico Micali email micali@studiomedia.it
citta' firenze
data 27/06/2005
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da www.digitazioni.it FIRENZE CITTÀ APERTA “Lei sta all’orizzonte. Mi avvicino di due passi; lei si allontana 10 passi più in la’. Per quanto io cammini non la raggiungerò mai, quindi a che cosa serve l’utopia? Serve a questo: a camminare” (E. Galeano) FIRENZE CITTÀ APERTA ripercorre i giorni del Social Forum Europeo, a Firenze dal 10 al 14 novembre 2002 ed è stato distribuito in 60.000 copie in allegato editoriale ai quotidiani L’Unità e Il Manifesto e al settimanale Carta. Il film racconta il volto multiforme del movimento riunito a Firenze, partendo dalla vigilia del Forum, con i negozi chiusi, la gente che discute per le strade del centro in una atmosfera di surreale tensione testimoniata (e creata) dalle locandine dei giornali. Poi, in contrapposizione, le giornate del Social Forum, dalla manifestazione alla base americana di Camp Darby, ai seminari, ai suoni e ai colori della Fortezza da Basso fino alla grande e pacifica manifestazione contro la guerra (cui hanno preso parte un milione di persone), scandite dalle musiche delle Bande di strada, riunite a Firenze da tutta Europa.
“She stands on the horizon. I move two steps nearer; she moves away 10 steps. No matter how far I walk I will never reach her, so what is the utopia for? It's useful for this: to keep walking” (E. Galeano) FIRENZE CITTÀ APERTA deals with the days of the European Social Forum (which took place in Florence from the 10th to the 14th of November 2002) and was distributed in 60,000 copies enclosed with the newspapers L’Unità and Il Manifesto, and with the weekly Carta. Produced by Stefano Stefani for l'Atelier, the film relates the many-sided facet of the movement which came together in Florence, beginning with the eve of the Forum's events, with the shops closed and the people arguing on the streets of the centre in an atmosphere of surreal tension as evidenced (and created) by the newspaper headlines. Then, in contrast, the days of the Social Forum, from the march at the American Camp Darby military base, to the seminars, to the colours and sounds of the Fortezza da Basso up until the huge and peaceful march against the war (with a million participants), interspersed by the music of the brass bands which had come from all over Europe to meet in Florence.
“She stands on the horizon. I move two steps nearer; she moves away 10 steps. No matter how far I walk I will never reach her, so what is the utopia for? It's useful for this: to keep walking” (E. Galeano) FIRENZE CITTÀ APERTA deals with the days of the European Social Forum (which took place in Florence from the 10th to the 14th of November 2002) and was distributed in 60,000 copies enclosed with the newspapers L’Unità and Il Manifesto, and with the weekly Carta. Produced by Stefano Stefani for l'Atelier, the film relates the many-sided facet of the movement which came together in Florence, beginning with the eve of the Forum's events, with the shops closed and the people arguing on the streets of the centre in an atmosphere of surreal tension as evidenced (and created) by the newspaper headlines. Then, in contrast, the days of the Social Forum, from the march at the American Camp Darby military base, to the seminars, to the colours and sounds of the Fortezza da Basso up until the huge and peaceful march against the war (with a million participants), interspersed by the music of the brass bands which had come from all over Europe to meet in Florence.
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